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November
6 2001 |
Microsoft and U.S. Reach Settlement in Antitrust Case
Cool Beans Appoints Rick Granoff Senior Audio Engineer
Internet Radio Industry Enjoys Fifth Straight Week of Audience Growth
VSampler DXi Now Available Through Cakewalk
Latin Recording Academy Teams With Yahoo!
Minnetonka’s SurCode Offers Royalty-Free DTS Encoding
MultiLoops Ships Odd Time Grooves Drum Loops
FirewireDirect.com Debuts RAID Epic-DS Storage Device
Steinberg Releases LM-4 MarkII XXL Pack for Mac
Waves Releases Restoration Tools
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Live QuickTime broadcaster and multimedia studio
by David Nagel
I had a strange reaction the first time I launched Live Channel. It was, "How'd they do that?" Live Channel (from Channel Storm) is a QuickTime broadcasting application for the Macintosh. It's announcement, back in July, boldly promised a live, real-time QuickTime streaming solution that could easily substitute for an entire broadcast studio.
The Malloys Reteam with Blink 182
By Iain Blair
Brothers Brendan and Emmett Malloy have quickly made a name for themselves in the music video industry thanks to a string of inventive clips that include Blink 182's “Rock Show,” Wheatus' “A Little Respect,” and the Foo Fighters' “Breakout” (which was an MVPA winner for a directorial debut).
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Into the digital domain
By Rock Stamberg
Advancing the Art of Sound is the theme of the Audio Engineering Society’s 111th Convention, which will be held September 21-24 at New York’s Jacob K. Javits Convention Center. Recognizing the audio industry’s continuing shift toward the digital domain, more than half of the AES paper sessions cover the increasingly significant topic of digital audio.
Sonic Foundry’s Acid Pro 3.0
BY DAVID ENGLISH
If you’ve found clips from music libraries to be too clichéd or one-dimensional, consider Sonic Foundry’s Acid Pro 3.0. You can use it to produce great-sounding music essentially by moving musical phrases on a time grid.
by Eddie Ciletti
Everyone knows how easily electric guitar and bass pickups can "find" hums and buzzes. The fast fix is simply to re-position the instrument to minimize noise reception, demonstrating how directional electromagnetic fields can be. Power-related noises radiate from cabling and power transformers; more noise is radiated as power consumption increases. The key issue is gobs of Gain, making it easy to understand how any noise - hum, buzz, hiss or nearby radio station - gets amplified along with the more musical and desirable string vibrations.
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