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24, 2002 Pro Audio Industry News from DigitalProSound.com: Propellerhead to Sponsor Red Bull Music Academy in Sao Paolo Seminar on DJ culture encompassing music history, technology, production and business skills Digidesign Ships Digi 002 FireWire Mini Studio Comes with Pro Tools LE and plug-in bundle TASCAM Announces Version 2.01 Update for DM-24 Digital Mixer New features include HUITM emulation and improved internal signal routing Native's Kontakt 1.1 Available for Mac Sampler offers time stretching and resynthesis BitHeadz Phrazer 2 on the Way Software sequencer to support Mac OS X Headroom Gets Sonny Kampanak to Arrange "Sorcerer’s Apprentice" for Sara Lee Music-driven spot depicts a sandwich magically asembling itself Loudnewsletter.com
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Engineer/mixer/producer and remix specialist Although mixing any type of music requires similar skills in terms of balance, equalization, panning and effects, each style has its own particular quirks that only experience in that genre can teach. One of the more intense and creative categories is Dance music, one that engineer/mixer/ producer David Sussman knows well. While engineering for producers David Morales and Grammy Award-winning Remixer of the Year Frankie Knuckles, David has developed quite a resume, engineering remix work for such artists as Mariah Carey, Whitney Houston, Janet Jackson, Madonna, Tina Turner, Gloria Estefan, Seal, Michael Jackson and U2 as well as recent additional production and mix credits for Salt-N-Pepa and MLF. ![]() Convention begins Oct. 5 in Los Angeles A wide range of seminars devoted to professional audio production concerns such as Surround Sound mastering and audio format compatibility is being held during the 113th AES Convention (Oct. 5-8 at the Los Angeles Convention Center), including the participation of prominent engineers and producers such as Thom Holman, George Massenberg and David Smith.
![]() OS X takes a systematic approach to handling professional audio While OS X is still in the process of converting professional audio users, it’s clear that the fundamental changes it brings to audio production on the Mac are hugely beneficial. Traditionally, the Mac OS has been a somewhat passive host for audio programs and interfaces, allowing them to find their own best path to getting audio data in and out of the computer. Many ingenious ways of doing this have been developed. In fact, too many -- ASIO, EASI, Direct IO, OMS, VST and RTAS, to name just a few. But with OS X, Apple is offering standardized system control over this process. Recorded into Pro Tools with live 27-piece orchestra in Capitol Studios A Visual Music created the sweeping emotional score for General Mills' new "Dish"commercial, which is a romantic love story between a casserole dish and his old flame Betty Crocker. |
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