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Pro Audio Industry News from DigitalProSound.com:
• Roland VS-2480 Workstations Now Have Control Surface Mode
Free upgrade allows users to control parameters of most audio programs
• Universal Audio Offers Rebates on TDM Plug-Ins to Bomb Factory Users
1176LN and LA-2A TDM plug-ins rebates offered to users of Bomb Factory's Classic Compressors
• TC Works Updates TC Tools for Pro Tools
Version 3.6 adds Mac OS X support
• Prosoniq Updates Orange Vocoder RTAS
New version gets Mac OS X support for Pro Tools
• WSDG-E Undertakes Redesign of Moscow's GTRK Kultura Studio Complex
• HairerSoft Updates Amadeus II
New version supports MPEG-4 files
• Planet V Creates Subtle Sound Designs for New York Times
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For a 100% tube amp user with 23 years of experience playing at volume in live and studio applications using a Mesa Boogie 60-watt head, the Line 6 AM4's ability to get 16 different amp sounds all out of one rig with digital modeling is pretty impressive. But it does require a a fair amount of tweaking and a good understanding of all the preamp and output combinations in your signal chain to get the sound you want.
with Erik Lundborg
Shiny Entertainment's movie based video game offers addition to Matrix Reloaded storyline
The enormous pressure on game publisher Infogrames (recently renamed to Atari), Shiny Entertainment (whom Atari purchased for approximately $50 million specifically for this game) and everyone involved in its final presentation was something to behold. Never before has a Hollywood film and a video game been produced in conjunction like this "Matrix" installment. Keeping the game fresh from its movie counterpart was no easy task and that was the issue facing Erik Lundborg who was in charge of the audio in the "Enter the Matrix" video game. Here's what Erik had to say about this potential blockbuster.
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Things to do in getting your multimedia files ready for streaming
Preproduction of Audio for web-streaming or intranet distribution is often overlooked in the streaming preparation processes. Often times, videographers intent on placing media on the inter or intra-net simply use tools built into the applications that are being used for editing media for the web. If these are the only tools available, then little can be done to prepare the audio for the web without going through multiple renders and loss of video quality. The processing described in the next paragraphs apply equally to audio only, as well as audio for video.
Winners to be named at AES in October
The Mix Foundation for Excellence in Audio has announced the 2003 TEC Award nominees, with winners to be announced during the Fall AES Convention on October 11 at a New York Marriott Marquis ceremony.
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