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Pro Audio Industry News from DigitalProSound.com:
• New Spatial One Series Nearfield Monitors from Steven Klein SCR
Diffuse tweeter extends the sweet spot
• Applied Acoustics Opens On-Line Library
For users of Tassman Sound Synthesis Studio and Lounge Lizard EP-2 Electric Piano
• Celemony Ships Melodyne 2.0
Multitrack recording application can be connected to any VST or AudioUnit host
• Arbors Records to Use SRS Labs' Circle Surround for CD Releases
Technology allows existing CD players to play back surround recordings
• Activision Appoints Tim Riley Worldwide Executive of Music
Brandon Young Joins As Music Supervisor and Licensing Coordinator
• InterVideo Announces DVD-Audio Support for WinDVD5
Software for Complete DVD-Video and DVD-Audio Playback
• Sony Pictures Digital Networks to Showcase Expanded Line of Software At WEVA Expo 2003
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How Audio Supervisors Cope with the Dialog of Reality TV
Production audio personnel often find themselves in their own version of Survivor, a shoot where they must act as transparently as possible so as not to interfere with the progression of a mainly ad-libbed narrative, yet make sure that every word from dozens of subplots and back stories is there for producers to choose from. This is where audio has to be first-take and better than audible, because ADR is not an option — post production is a luxury that neither the budgets nor the premise of reality TV can afford.
Engineer Michael Bishop Uses Sennheiser MKH 800s on Conway Studios' Steinway
Tierney Sutton has managed to pull off a very difficult task. Her collection of jazz recordings, featuring standards some might consider not an easy sell to modern audiences, has garnered the singer critical praise and a growing legion of fans. Sutton's upcoming CD, "Dancing in the Dark" is a tribute to Frank Sinatra recorded at Conway Studios in Hollywood for Telarc. Engineering tasks were handled by multiple Grammy award-winner Michael Bishop.
Academy makes the move to DVD distribution
This year the Academy of Television Arts & Sciences will distribute shows nominated for Emmy Awards in outstanding sound editing and outstanding sound mixing categories via DVD so that judges may hear the shows in their original multichannel broadcast formats. In addition to enabling Dolby Digital 5.1 audio, shows can be heard in Dolby Surround and in stereo. Previously, the Academy distributed nominated content on VHS cassettes.
Brandon Young Joins As Music Supervisor and Licensing Coordinator
In his new position, Riley will direct all activities concerning the integration of music into the company's games and aggressively seek opportunities to expand Activision's alliances with record labels around the world. Additionally, he will identify, negotiate and secure worldwide music licenses for Activision's products. Supporting Riley in his new role will be Brandon Young who joins Activision as music supervisor and licensing coordinator.
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