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September 3, 2003
Pro Audio Industry News from DigitalProSound.com:

Digidesign Bundles Creative Apps with Pro Tools
Software includes Propellerhead Reason Adapted, Ableton Live Digidesign Edition

Emagic Updates Logic Platinum
Version 6.2.1 improves Channel EQ stability

Cakewalk Acquires Ultrafunk Plug-in Technology


Steinberg Releases Studio Case
Bundle includes Cubase SE and suite of virtual instruments

InterVideo Delivers Enhanced DVD-Audio Support for Audigy 2


Metro Adds Audio Services With Pro Tools HD


New Spatial One Series Nearfield Monitors from Steven Klein SCR
Diffuse tweeter extends the sweet spot


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A Sense of Isolation
Extreme Isolation Headphones minimize leakage in and out

Donning a pair of Direct Sound's Extreme Isolation Headphones is an experience in sensory deprivation. All ambient noise from the outside disappears, and louder noises are muffled in the background. If someone asks you a question, you have to remove the headphones and ask them to repeat it. And that's before the headphones are even plugged in to a sound source.

Langevin Dual Vocal Combo
Killer solid state mic pres with limiting and EQ

In 1992, Manley Labs bought the rights to Langevin name and designs and now uses the name Langevin on all of its solid-state products. Manley-branded units are all-tube, while the Langevin-branded products have all-discrete make up gain amplifiers. Manley says the EQ or limiting and metering sections in both lines are the same.



CDs And DVDs To Go The Way Of The LP, Says Forrester Research
The end of physical media is nearing. In an effort to fight file-sharing piracy, music and movie companies will embrace legitimate downloading and streaming services, creating a new era of media distribution.

Survival of the Loudest!
How Audio Supervisors Cope with the Dialog of Reality TV

Production audio personnel often find themselves in their own version of Survivor, a shoot where they must act as transparently as possible so as not to interfere with the progression of a mainly ad-libbed narrative, yet make sure that every word from dozens of subplots and back stories is there for producers to choose from. This is where audio has to be first-take and better than audible, because ADR is not an option — post production is a luxury that neither the budgets nor the premise of reality TV can afford.











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