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21, 2003 Pro Audio Industry News from DigitalProSound.com: Emagic Ships Space Designer Logic plugin offers real-time convolution reverb BitHeadz Releases Unity Updater Version 3.2.1 adds support for Digital Performer M-Audio Redesigning Cards for G5 Compatibility Upgrade program available for Mac users Inventor Receives Award for Audio Spotlight Directional Sound Technology Founder of Holosonics, Dr. Joseph Pompei, Wins Technology Review's TR100 Top Young Innovators Award Sony Debuts 8X DVD+R Dual RW DVD Burners Mackie dXb Unveiled at AES Next-generation digital production console is 96k/192k capable Universal Audio Announces New Gear at AES Vintage limiting amp, master audio interface, equalizer unveiled; Powered Plug-Ins get G5/Mac OS X support Loudnewsletter.com
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Marshall Grupp Designs a 5.1 Soundscape For A New Hi-Def Network Last month, Austin, Texas-based VOD and PPV purveyor IN DEMAND launched the first of several planned high-definition channels, INHD. It blasted onto the air with12 hours daily of sports and entertainment programming, recycled once a day, with content coming from a variety of film studios, broadcasters and other cable networks, all of which have a vested interest in fostering a digital future for television. ![]() I've known for some time that Sony Vegas can compete feature-for-feature with other well-known non-linear video and audio editing software on the market. Unfortunately, Vegas users were missing a custom keyboard that not only helps them edit faster, but looks great, too. The wait is over. ![]() 115th AES Product Guide Professional Audio Show wraps up in New York With the 115th AES Show sponsored by the Audio Engineering Society (www.aes.org) being held October 10-13 in New York, new professional audio product announcements have been flying fast and furiously. In this chart, we're adding details about new products as we get them -- so keep checking back for more products and more product categories. SmartSound Software’s Sonicfire Pro 3.1 Making a Hollywood-quality video production on a shoestring budget is always a challenge. It’s one set of compromises after another. In the end, you do the best you can with what you have. Having to skimp on the music is especially troublesome, because nothing signals a cheap production more than a tacked-on music track that doesn’t quite fit. Big-budget movies feature fully orchestrated scores that match the action frame by frame. How can you compete with that? You can’t—but you can come pretty close if you have the right tools. |
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